Welcome to the Bad Sekta website

Recent & forthcoming releases -

The Abominable Mr Tinkler presents F-lithium - 'Grands Classiques'   BADmpfree033
T.A.M.T. presents F-lithium
Grands Classiques
320kbps MP3
25 December 2014

BADvinyl001 - 50th release!   BADvinyl001
12" vinyl
1 October 2013

$p!tTiNg V!tRi[]L - 'Good Grief [echoes from the grunge-pit]'   BADmpfree032
$p!tTiNg V!tRi[]L
Good Grief
23 March 2013

Ascetic - 'Loss'   BADmpfree031
23 April 2013

Phuq - '10,958 days of error'   BADmpfree030
10,958 Days of Error
13 January 2013

Various - 'The Cavity Church'   BADmpfree029
The Cavity Church
23 November 2012

FZV - 'antic.decay'   BADmpfree028
23 December 2012

Recent tunes

Recent tweets

Will Phuq Interviewed on Running a Label

(from an unknown dissertation research project, April 2010)

1. What are some of the more difficult aspects of running an independent label? Until a couple of years ago I ran Bad Sekta pretty much on my own (albeit with some much appreciated assistance from some of our crew), bringing Tom on board later to help spread the workload. The main difficulties involved with this approach have been our (very) limited funds & not having enough time to reply to everything / meet all deadlines / generally keep track of stuff. It can also be a bit of a nightmare sometimes keeping both in touch with each other & our artists!

2. What would you say are your strengths compared to a major label? I'd like to think that our size & basic 'DIY' ethos enables us to be more flexible than a ‘major’ label, pushing music & video that we actually love rather than we think will maximise 'market-share'. I hold quite strong views on certain aspects of operating the label (e.g. regarding the diversity, presentation & fair pricing of the stuff that we release) & the lack of a 'corporate structure'  within it means that we can choose to take any risks that we like, ensuring that both the label & our roster have total creative freedom.

3. What would you say are your weaknesses compared to a major label? The aforementioned lack of man-hours & funds can result in a need to keep initial runs of releases as cost-effective (yet desirable) as possible, as well as to keep most of the promotion, design & mastering in-house. With only two of us running the label it involves a lot of hard work & dedication!

4. Do you have any problems getting your product placed in the right places such as record stores, reviews in magazines, etc?This hasn't really been much of an issue so far, as we mainly sell our stuff via the site & stall, although we're currently looking at various distribution options (both physical & digital) to enable us to expand our reach / exposure for the next phase of releases. We do get some pretty consistent (& generally encouraging) feedback from listeners, zines, blogs & radio shows, also infrequent articles & interviews in print & online. We've never really we put enough effort into gaining press attention though.

5. What do you generate most of your revenue from? (CD sales, Downloads, Merchandise etc) CD sales (but only because we've released so few physical products during the last few years). Generally I would say that CD sales have been going down the pan for several years now, likely as people have increasingly turned to listening to music via their computers & MP3 players.

6. Do you believe that the digitalization has created a more levelled competition between the Majors and the Indies? Definitely - anyone who cares to can now get their music out there (quality be damned!), potentially to massive audiences. Clever independent labels of all kinds are able to promote & sell their output cheaply & effectively via the web & small labels that follow the digital-only model are able to enjoy little or no manufacturing costs, often putting what money they do have into promotion & marketing.

7. Do you believe the market for independent music on its way up, or down? I think that music & the market for it mutates rapidly but in fascinating directions; where there's interesting music there's always a surprisingly passionate audience somewhere...

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